It was during a interview for the Cuttin’ Grass albums that he mentioned not counting it, I believe.
That it was a concept soundtrack album and not fully derived from the depths of their own creativity.
UM covered Sturgill’s ‘Call To Arms’ during the NYE 2016 run in Chicago, it was epic and is what turned me on to Sturgill. Also he has been on JRE before
On second listen I really don’t think I enjoy this one all too much. None of the songs really grab me as all that interesting and the intro and epilogue are annoying enough to really catch me off guard.
I’m a much bigger fan of the more interesting stuff of MSCM and Sailors Guide. I respect that this is a continuation of the stripped down style he did with Cuttin Grass but it’s kinda meh.
This is an interesting one, though not something I’m going to relisten to all that much. I do love the fact that he set out to make 5 albums around the journey of a soul, stuck true to it (again not counting CG because they were sort of “reworked greatest hits”), and now he says he’s done as a solo artist. Is that true? Doubtful, but he called his shot over 7ish years and will probably do something more full-band/collaberative for awhile. He just bucks the trend at every turn while staying true to himself. I feel like …probably going to get heat for this… but I feel like there’s a similarity with him and Steely Dan in the sense that there’s this element of dark sarcasm where yeah, they’re sticking within the genre of what you would more or less expect, but they don’t really give a shit about anything except what they want to do, and they buck a lot of trends. There’s just a hell of a lot of layers once you start peeling back the veneer.