Speaking of 7/3, I’ll just come out and say it - this Linear is better than Seattle '13.
Blasphemy! Blasphemy, I say to you.
(July 3 is a good version, but I would argue that August 16 is even better – acknowledging Kris really drives the end. Neither of which touches the creativity and bliss that is Seattle 2013.)
Once again I am bringing up 8/30 Linear. I know it’s a little shorter than the others (mainly due to coming out of 2 huge jams in cut off > eat) at like a 7 minute jam but it’s still awesome, and has an incredible peak to round it out. I like that peak more than 7/3 personally.
I find Linear jams to be unique because they don’t have a lot of jam vehicles in that tempo. I find that tempo to be super driving at both half time and double time so I always look forward to Linear jams. I like 8/30 Eat > Linear because both of those jams are at that tempo essentially.
No question! Those are all great versions. I’m a Linear sucker as it is. It’s definitely my favorite Umphrey’s composition, with Booth Love being a close 2nd. To me, Linear is the best mid-80’s Rush song that Rush never wrote. It would’ve fit Rush’s Power Windows album perfectly.
Truth be told, if the 7/3 Linear never happened, the 4/4 version would’ve gotten my vote for HOF '19. I hear ya on the Asbury Park Linear, though. It’s a great one as well.
Having spent the last few weeks listening to a shitload of '19, my top 5 shows of '19 have changed a bit.
8/15. I have not wavered on this one at all. As I posted a while back, this show’s my spirit animal. And I continue to stand by this statement. In terms of song selection, flow and jamming, it’s damn near perfection to my ears.
7/5. Yep, this one overtakes 7/3, but not by much. This show’s worst offense is being in the shadow of Anaheim. While 7/5 lacks HOF worthy jams like Linear and SS, this is another show with a great example of song selection and flow. Not to mention that both sets are pretty strong.
7/3. This slid from the original #2 spot for me. The SS and Linear are all-timers, no question, and the opening HBB is outstanding as well. Set 2, outside of Ocean Billy, is really more in the standard-great category. This is one of those shows where Set 1 > Set 2.
8/17. This one has really gotten my attention as of late. Not a metallic bad ass show like 8/15 a couple of days prior, but I really love the jamming in this one. The Triangle Tear > 1348 > ITK > Visions > Mail Package opening segment is just out of this world. And the Puppet > Much Obliged > Puppet segment to end the 2nd set is stellar.
2/15. Great, great show for obvious reasons. But where my opinion gets weird is that I don’t even think Plunger’s the best jam of this one. That distinction belongs to Red Tape. Again, just my opinion.
Had to listen back to that 7/5 show after seeing such high praise from you.
Definitely an under the radar 2019 show. I still probably wouldn’t put it in my top 10 but it’s still a real nice show. There are some punchy, aggressive jams in Junk, IDM, Phil’s and especially Utopian Fir, which is a shorter but better version than almost any other 2019 Fir.
Obv this Virtue us soon smooth though. Great patient jam winding through chilled out dance grooves.