Set 1:Spires > The Linear > Mulche’s Odyssey, Much Obliged > Hajimemashite > Glory > Hajimemashite, Hurt Bird Bath
Set 2:Professor Wormbog, Booth Love[1], Cemetery Walk II > Making Flippy Floppy[2], Gulf Stream > Miss Tinkle’s Overture → Masoko Tanga > Miss Tinkle’s Overture > Masoko Tanga[3] → Miss Tinkle’s Overture
Encore:Got Your Milk (Right Here)[4], Waiting Room[5]
Footnotes:
[1] with Get Up, Stand Up (Bob Marley & The Wailers) jam
[2] with Hella Good (No Doubt) teases and Can’t You Hear Me Knocking (The Rolling Stones) jam
[3] with Miss Tinkle’s Overture teases
[4] ended with Stranglehold (Ted Nugent) jam
[5] with Jesu, Joy of Man’s Desiring (Johann Sebastian Bach) tease
This is possibly my favorite show attended, almost certainly my most listened-to, and I skipped it this time because I know a lot of it note-for-note in my head and wanted to keep things moving. An interesting thing about this show is that it was almost all repeats from the previous 2 shows - the only new original songs for me were Mulche’s because I missed the first NYE set, Glory which I had yet to realize was it’s own song and not just the middle of Haji, Wormbog, and Linear/Booth Love both of which hadn’t been debuted yet at my last show. So I knew almost every song being played and I was able to get comfortable and lock in.
This was my first show at First Ave in Minneapolis, which is my most seen venue at 19 (16 at Three Sisters Park though I haven’t been there since 2016, then it’s Tabernacle at 15 and Riverside at 14). I grew up on the other side of the river in Saint Paul so this is essentially a hometown show (though I would be able to see some actual hometown Saint Paul shows in 2017 and 2018). It coincided with my spring break so I was able to come home and catch 3 shows in the location I was already planning on being anyway.
I have a self-inside joke that every show is your first show because every day you’re a different person than you were the day before, and you can always find some metric by which it’s your first show given that metric, so I’m going to figure out why every show is my first show. 12/30/09 was my actual first show, 12/31/09 was my first new years show, and this was my first Twin Cities show as well as first show at my most seen venue.
It’s just fire straight through. A tight 5 minute Spires and then a weird electronic cymbal sound starts happening which resolves into an EDM-y dance jam. Bayliss is at his most Bayliss, playing syncopated delays, and then halfway through the jam he starts a new section with a rock riff, which the band picks up and modulates through different keys as the jam reaches its peak. Then immediately drop into….
The Linear, which I think it its 2nd time with lyrics. Cool early version, no jam, right into Mulche’s Odyssey. Mulche’s had a cool little jam which was featured on The Floor blog where you could hear the band talking during the jam. Much Obliged jam gets heavy and Joel wails with the synth sounds, then there’s an iconic Haji > Glory > Haji, into a solid HBB. This segment was a lot like the Much Obliged > Auld Lang Syne > HBB that I saw at the previous show and HBB was an early favorite (still love it).
Second set might be even better. Professor Wormbog jam was a sequel to the 12/31/09 Phil’s Farm hip-hop jam (same bass line, maybe other stuff). CW2 was hot, what is there to say about MFF, Gulf Stream took me back to new years again, and Miss Tinkles > Masoka Tanga > Tinkles absolutely did and still does blow my mind. It’s just so brilliant and it’s very well executed in this version. This was not Masoka Tanga’s debut, but it was its first time played in Tinkles, where it would continue to be played a few more times within Tinkles and Higgins. This made Tinkles my favorite song by any band which it still is, and for my 300th show in Saint Paul in 2018 I requested the same Tinkles / Masoka mashup and got it.
I left after Tinkles to catch the last bus home since it was like 12:45 AM, so I missed a standard Milk (which I had already seen on 12/30/09) and Waiting Room which I would see many more times including the very same venue.
Like the previous show, I went solo with a head full of one hit of L which I had saved from moe. in Chicago the week before. I had a very intense and engaged experience, uncomfortable tripping my face off alone in a crowd but also completely blown away by the music so I would learn to become comfortable. I went home to my mom’s house and stayed up past sunrise listening to Penn’s Peak 2009.
Next: Minneapolis 3/13/10